Posts Tagged "Farid Nayer Habibi"

Feature Artist: Nellie Nakamarra Marks

Feature Artist: Nellie Nakamarra Marks

Nellie belongs to the Pintubi clan from the Kintore area in Central Australia. She was taught to paint by many of the founders of the desert art movement, includingOld Mick Namarrari, Uta Uta, Pinta Pinta and her father, the great master Turkey Tolson Tjupurrula. Nellie has learned the Dreamings of her family ever since she was a small child. Her subjects are primarily Lightning dreaming, Women’s stories and Women’s Tingari from her father’s and her grandfather’s country which lies to the east of Kintore in the Northern Territory. Women’s Dreaming stories depicts her family as they move...

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Feature Artist: Linda Syddick

Feature Artist: Linda Syddick

Linda Yunkata Syddick Napaltjarri (born c. 1937) is a Pintupi– and Pitjantjatjara– speaking Indigenous artist from Australia’s Western Desert region. Her father was killed by a revenge spearing party in accordance with customary Law when Linda was about eighteen months old; her mother later married Shorty Lungkarta Tjungarrayi, an artist whose work was a significant influence on Linda’s painting. Until the age of nine, Linda was raised in the traditional nomadic fashion, after which her family walked out of the desert to settle at the Lutheran Mission at Haasts Bluff...

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The Story of Mother Earth – Uncle Pete

The Story of Mother Earth – Uncle Pete

The Story of Mother Earth. Artist: Uncle Pete The style of artwork used in retelling of this story comes from our mountain, Gunda Booka, on the road between Bourke and Cobar, NSW.  Our people have been using this style of artwork on cave walls since the beginning of time. The hand stencils are signatures we leave on the cave walls to let others know that we’ve travelled through on our way to ceremonies. The colours, too, have their own significance. The red ochre  is used by men who’ve attended ceremonies. For my people, the red ochre represents the blood of God, Mooka. Women who’ve attended...

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Acknowledgement Of Country & Welcome to Country

Protocols for welcoming visitors to country have been a part of Aboriginal culture for thousands of years. Despite the absence of fences or visible borders, Aboriginal groups had clear boundaries separating their countries. Permission was needed by travellers when crossing into another group’s country – similar to obtaining a visa. When permission was granted, the hosting group would welcome the visitors, offering them safe passage.     An acknowledgement of country is a protocol performed preceding an official meeting or formal activity. It acknowledges the Aboriginal...

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Traditional Aboriginal Hunting Tool: The Boomerang

Traditional Aboriginal Hunting Tool: The Boomerang

  Aboriginal people have an intimate understanding of their natural environment – as evident in their stories, songs, dances, and artwork. Though Aboriginal people’s tools vary by group and location, they share common characteristics such as knives, scrapers, ax-heads, spears, various vessels for eating and drinking, and digging sticks. In this post, we’ll be focusing on the most famous Aboriginal hunting tool: the boomerang. There are two types of boomerangs: The Returning Boomerang.   Arguably, the most iconic Aboriginal implement, the returning boomerang is...

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